2015 NÄNZI’s Showroom, Fennstr. 9-11, Berlin Schöneweide (curator)
2015 Jörg Krenke, Farbraum Zeitform, Boxberg Power Station, Boxberg (curator)
2014 NÄNZI (1962-2013). Die Menschen, die ich war. Gedächtnisausstellung, secondhome projects, Berlin Wedding
2013 I Have a Dream..., student’s project at HBK Braunschweig in cooperation with secondhome projects (Miray Seramet), Berlin (curator)
2009 Erwin Blumenfeld. Collages, Berlinische Galerie Berlinische Galerie, Berlin (curator)
2005 Künstler.Archiv / Artist.Archive, inaugural exhibition and program, Akademie der Künste, Pariser Platz, Berlin (with C. Boltanski, J. Gerz, I. & E. Kabakov, C. Kubisch, C. Nicolai, M. Rothschild, E.-M. Schön, H. Winkler) (curator)
2004 legal/illegal. Art beyond Law (together with Hans Winkler and Kai Bauer), NGBK, Berlin (with C. Burden, J. Kerbel, G. Maciunas, G. Motti, D. Oppenheim etc.) (curator)
2001 Paradise Lost II?, Künstlerhaus Schloss Nackel, Brandenburg nr. Neuruppin (curator)
2000 Paradise Lost?, Künstlerhaus Schloss Nackel, Brandenburg nr. Neuruppin (curator)
1993 Naum Gabo and the Competition for the Palace of Soviets, Moscow 1931-1933, Berlinische Galerie (in cooperation with Shchusev Museum Moscow). Realization in Berlin, Valencia (with Vicente Todolí) and Moscow. Catalogue in German, Spanish, English, and Russian (project director)
1991 John Heartfield, Dada Cabinet, Akademie der Künste zu Berlin, Altes Museum, Berlin 1991 (travels until 1993 to Bonn, London, Dublin, Edinburgh, and Ipswich) (curator)
1991 The 1920s. Age of the Metropolis (Artistic Director: Gérard Regnier), Montreal Museum of Fine Arts, Montreal 1991 (guest curator for German section)
1990 8th Biennale of Sydney, The Readymade Boomerang. Certain Relations in 20th Century Art (Artistic Director: René Block), Sydney 1990 (scientific researcher)
1989 Berlin. Punto de Encuentro, adapted version of Dada Fair reconstruction, Centro Reina Sofia, Madrid (curator)
1988 Stationen der Moderne, Berlinische Galerie, Martin-Gropius-Bau, Berlin 1988: Realization of the historical reconstruction of the First international Dada Fair (Berlin 1920). Further focuses within the exhibition: Russian Avant-garde, New Objectivity, and German Exile in the United Kingdom (1930s) (curator)